Two-Headed Boy - Neutral Milk Hotel (Knitting Factory in NYC, 1998)

45 notes

HELL YA!
wellssun:

the Kickin’ Kidz

HELL YA!

wellssun:

the Kickin’ Kidz

Dearest Laura Thyne

Dearest Laura Thyne

austinkleon:

Great interview with a cartoonist/songwriter I’m ashamed to admit I had no previous knowledge of. Love what he says here about the (lack of) difference between writing songs and cartoons:

For decades I’d flit from drawing table to typewriter to guitar with no sense of strain or contradiction. They all exercised the same psychic muscle (the Imagination), and working in one medium refreshed my appetite for the others. These days I’m less supple and more entrenched, so it’s a wrench to switch. But writing and drawing a Leviathan strip, say, isn’t all that different from composing a song. They both involve a text embedded in another medium. My father, Erik Blegvad, is an illustrator—he’s at work on his 107th title—and my mother, Lenore, was (she died last September) an author/illustrator/painter, so this symbiosis seems perfectly natural to me. My favorite artists, Marcel Duchamp being perhaps the paradigm, deliberately flouted the decree that art must not be “literary.” The musical heroes of my youth were John Lennon, Bob Dylan, and Captain Beefheart, all of whom drew/wrote/painted when they weren’t composing/performing/recording. I recently learned the word liminal: “occupying a position at, or on both sides of, a boundary or threshold.” That’s where I feel most at home, for better or worse.
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ohryankelley:

Peter Gabriel - Solsbury Hill

Time to rake some leaves…

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